At several points in the history of acoustics, figures have argued that human hearing can or should access ultra or infrasound. And certain recent post-tonal works have notated pitches that explicitly play with, or exceed, the ordinary range of human hearing (cf. Schoenberg, Per Nørgård, and Salvatore Sciarrino). This talk asks what kind of listener such works imply. Amid recent moves toward sound as vibrational force, it argues that hearing has a special role in determining our natural sensory limits and human identity, and that attempts to push against these limits foreground the underlying matter of what status the biological body has for performance and the perception of music. In a historical critique of auditory sense augmentation, I contrast Jakob von Uexküll’s theory of Umwelt (where sensory limits are a material fact of biology) with a transhumanist worldview which anticipates—and for some, already realizes—the enhancement of biological sense capacities through technology. The discourse of transhumanism poses questions for musical listening as soon as the body becomes an assemblage subject to variation. It raises the question of how identity—ours as well as that of musical works—might be affected by “morphological freedom,” the extent to which self-identity becomes the lost referential when agency is distributed between biological and non-biological parts, and it asks what value are the new intellectual vistas that emerge when musical experience is conceived in material terms as communication between bodies. >>
Thursday Lecture Series are open to Columbia faculty, students, and guests.
Special Events are open to the public, unless otherwise noted.
New Books in Political and Social Thought —a panel discussion on recent work by University Seminars and Society of Fellows Alumni David Armitage, Jeffrey Barash, and Teresa Bejan, sponsored by Studies in Political and Social Thought (University Seminar #427) >>
Powers of Hearing: Acoustic Defense and Technologies of Listening during the First World War >>
Giorgio Biancorosso examines the soundtracks of both the original (1994) and the redux (2008) versions of Ashes of Time (dir. Wong Kar Wai) in light of both Japanese and Chinese-language precedents as well as the recent reconfiguration of film distribution occasioned by the rise of the PRC. Treating music as 'symptom' of a modus operandi, he presents a few examples of the persistence of the legacy of jidaigeki and the Zatoichi (aka "Blind Swordsman") series. >>
Cruel Empathy: The Shocking Case of Beatrice Cenci >>
More than five hundred years after Machiavelli wrote The Prince, his landmark treatise on the pragmatic application of power remains a pivot point for debates on political thought. While scholars continue to investigate interpretations of The Prince in different contexts throughout history, from the Renaissance to the Risorgimento and Italian unification, other fruitful lines of research explore how Machiavelli’s ideas about power and leadership can further our understanding of contemporary political circumstances. >>
Coping with Waste: Copropolitics Ancient and Modern >>
Landscaping the Planet: The "Domus Complex" or The Late Neolithic Multi-Species Resettlement Camp >>