Fall 2015

Thursday Lecture Series

Jazz, Opera, and the Signifier, 1924-1986

  • David Gutkin, Lecturer in Music, Columbia University

Clause 12 of the production contract for Anthony Davis’s 1986 opera, X: The Life and Times of Malcolm X, reads: “The word ‘jazz’ should not be used in any connection with this piece, including Anthony Davis’s biography.” Although vehemently opposing the classification of his work as jazz, Davis simultaneously sought to position the “jazz tradition” as the central impetus for the creation of that perennially elusive form: “American opera.” To comprehend this apparent contradiction, this talk traces intersections between jazz and opera through three case studies. >>

Thursday Lecture Series

Quantifying Piety: Pilgrimage to Republican Rome

  • Dan-el Padilla Peralta, Assistant Professor of Classics, Princeton University

Religiously motivated travel is well documented for Christian Rome: late antiquity and the early middle Ages witnessed the institutionalization of a pilgrimage economy of which Rome—with its many churches—was a primary node. That Christian pilgrimage made use of (in some cases directly mapped upon) pre-Christian itineraries and networks of travel is no longer seriously disputed. What may come as more of a surprise is the claim that Rome was a hub for pilgrimage well before the advent of Christianity.  >>

Thursday Lecture Series

Hector Berlioz’s Neurophysiological Imagination

  • Carmel Raz, Lecturer in Music, Columbia University

In his famous essay De la musique en général (1837), Hector Berlioz asserts that certain kinds of music induce “a strange agitation in my blood circulation: my arteries beat violently… a trembling overtakes my limbs and a numbness my hands and feet, while the nerves of sight and hearing are partially paralyzed.” Examining the system of neurophysiological affect emerging from his critical writing, Raz will focus on the composer’s documented engagement with contemporaneous neurophysiology, and in particular the pioneering ideas of Marie-François-Xavier Bichat. >>

Thursday Lecture Series

Making Sense of the Copy in Canton

  • Maggie Cao, Lecturer in Art History, Columbia University

This lecture offers a look at the early history of things “made in China.” In the late eighteenth and early nineteenth centuries, artisans in Canton (then China’s sole port of foreign trade) became specialists in producing Western artifacts for export. Their copies, of everything from silver spoons to oil paintings, ranged from legally troubling counterfeits to creative variations injected with the flair of exoticism. >>

Thursday Lecture Series

Against the Importation of “Hordes of Coolies”

  • Hidetaka Hirota, Lecturer in History and the Center for the Study of Ethnicity and Race, Columbia University

This presentation, Against the Importation of "Hordes of Coolies": Alien Contract Labor Law in American Immigration History​, explores the significance of contract labor in American immigration history.  >>

Thursday Lecture Series

Teaching Contemporary Civilization in Prison

  • Joshua Dubler (‘08-‘11), Assistant Professor of Religion, University of Rochester

Joshua Dubler is Assistant Professor of Religion at the University of Rochester and served as a post-doctoral fellow with the Society of Fellows in the Humanities from 2008-2011. He will deliver a Society of Felows Alumni Thursday Lecture on the topic of prison reform and teaching in Grateford Prison in Pennsylvania. His experience in the prison served as the focus of his dissertation. >>